Rabu, 20 Juni 2012

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Aquinas's Disputed Questions on Evil: A Critical Guide (Cambridge Critical Guides)From Cambridge University Press

Thomas Aquinas's Disputed Questions on Evil is a careful and detailed analysis of the general topic of evil, including discussions on evil as privation, human free choice, the cause of moral evil, moral failure, and the so-called seven deadly sins. This collection of ten, specially commissioned new essays, the first book-length English-language study of Disputed Questions on Evil, examines the most interesting and philosophically relevant aspects of Aquinas's work, highlighting what is distinctive about it and situating it in relation not only to Aquinas's other works but also to contemporary philosophical debates in metaphysics, ethics, and philosophy of action. The essays also explore the history of the work's interpretation. The volume will be of interest to researchers in a broad range of philosophical disciplines including medieval philosophy and history of philosophy, as well as to theologians.

  • Sales Rank: #2063443 in Books
  • Published on: 2015-11-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .63" w x 5.98" l, .0 pounds
  • Binding: Hardcover
  • 264 pages

Review
"This volume contains insightful and well-argued essays ... illuminating the nature and application of the claims that Thomas makes in De malo. Readers of Thomas will be grateful for its appearance."
Robert C. Miner, Baylor University

About the Author
M. V. Dougherty is Professor of Philosophy at Ohio Dominican University. He is the author of Moral Dilemmas in Medieval Thought: From Gratian to Aquinas (Cambridge, 2011) and editor of Pico della Mirandola: New Essays (Cambridge, 2008).

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Selasa, 19 Juni 2012

[K101.Ebook] Download The Art of Piano Playing (The Art of Series), by George Kochevitsky

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So many of the great pianists and teachers have come out of Poland and Russia (Rubinstein, Anton as well as Arthur, Leschetizky, Paderewski, the Lhevinnes, Gilels, Richter, and others), yet we know little about their methods of learning and teaching. George Kochevitsky in The Art of Piano Playing supplies some important sources of information previously unavailable in this country. Russian sources alone occupy four columns of his bibliography on 'History and Theory of Pianism.' Additionally there are six columns of German sources and seven columns of sources in English. From these sources, tempered by this own thinking, Kochevitsky has formulated a scientific approach that can solve most problems of piano playing and teaching. George Kochevitsky graduated in 1930 from Leningrad Conservatory and did post-graduate work at Moscow Conservatory. Coming to the U.S., he has taught privately in New York City, given a number of lectures, and written for various music periodicals.

  • Sales Rank: #237060 in Books
  • Brand: Alfred
  • Model: 00-0068
  • Published on: 1996-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 8.50" w x .50" l, .53 pounds
  • Binding: Paperback
  • 80 pages
Features
  • Manufactured to the Highest Quality Available.
  • With True Enhanced Performance.
  • Latest Technical Development.

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36 of 39 people found the following review helpful.
Too heavy on the theoretical side
By frankp93
I read somewhere that if you can take one good idea away from reading a book, consider the experience a success. Call me greedy, but I expected more practical advice from "The Art of Piano Playing". The author's intent is to show how the central nervous system plays a primary role in the learning/performing process. He makes his case with an historical survey of earlier schools of thought concerning piano technique that, according to the author, culminated in an impasse in the early twentieth century. As scientific research into brain functioning progressed, the tools were now in place to make a case for the neurobiological basis of piano technique. What this boils down to is, essentially: 1) the aural image one creates in the mind of a musical composition is paramount and the urge to recreate that image will drive the learning and performing process. 2) practice slowly to establish and engrain neurological connections. 3) be flexible in your technique regarding fingering, arm position, etc. 4) the most effective learning is accompanied by intense concentration.
I've simplified, but this is what I walked away with. Unfortunately, the author spends more time justifying his theoretical argument than describing the practical application of his ideas. The book was written in 1967 when perhaps these thoughts were more radical. If you're intrigued and enjoy a heavy scientific bent, this book might be for you, but if you're looking for detailed practical advice on piano technique, I'm afraid other authors have done it better.

17 of 17 people found the following review helpful.
Probably the best book on the mind/body/nervous system/piano relationship
By Baz
I agree with the previous reviewer that this book can be heavy going, though after repeated readings none of the writing seems to me to be waffle or redundant. However, this is more than compensated for by the breadth of coverage of the various schools of piano pedagogy and the problems associated with each. The amount of research that Kochevitsky displays both scientifically with relation to piano playing and piano pedagogy itself is simply awesome (the bibiliography will blow your mind!)

It seems to me that this book needs careful and repeated reading to get the best out of it. There are real nuggets to be mined, but they're buried in the rubble of explanation instead of being clearly dug out into a separate chapter.

Even at the beginning of the 21st century, almost all the old books on piano playing can still be easily found and one of this book's great merits is the careful deconstruction of all that's misguided in all of them. It seems that the great pianists have become great through their own analysis and musical genius despite the teaching of any one school.

It's easy to miss this book in looking for the best in learning the piano. I've read almost all of them before finding it. But there's a LOT in here and I highly recommend a careful study of this book if you find your playing has hit a brick wall.

2 of 2 people found the following review helpful.
The Art of Piano Playing
By Miguel Gon�alves Henriques
Almost everything is said about Kochevitsky's book. Nevertheless I do not think it as a heavy book (80 pages??). Its bibliography is thouroughly relevant but unfortunately the russian titles are still unkonown in the west. Fortunately we have now one or two works from Grigory Kogan translated. But still, in the piano concertizing profession, people rarely take the time to read about this kind of subject. Unfortunately again many piano teachers come up with their own methods withou prior knowledge of all this body work of research. Many guru-like methods and approaches intoxicate this literature market. I consider Kochevistky's book practical and exhaustive. You just have to take the time to think and to learn what he is talking about, and often this requires some experience and humbleness. Personally I recommend it highly to all advanced pianists and students.

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Senin, 18 Juni 2012

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  • Sales Rank: #11599451 in Books
  • Published on: 2007
  • Binding: Paperback

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Kamis, 14 Juni 2012

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  • Published on: 1605
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Automated Fingerprint Identification Systems (AFIS), by Peter Komarinski Master of Arts  Criminal Justice

An easy-to-understand synopsis of identification systems, presenting in simple language the process of fingerprint identification, from the initial capture of a set of finger images, to the production of a Rapsheet. No other single work exists which reviews this important identification process from beginning to end. We examine the identification process for latent (crime scene) prints and how they are identified with these systems. While the primary focus is automated fingerprint identifications, the book also touches on the emergence and use of fingerprints in other biometric systems.
Criminal justice administrators, policy makers, and students of forensic science and criminal justice will find a reference to the known limitations and advantages of these systems.
This book provides information as to the critical and continual need for properly trained individuals as well as an understanding of the direct and indirect costs associated with maintaining these systems.
An understanding of the entire system and what it means will prove invaluable. Why are there missed identifications? Why are identifications made on one database that are not made on another database? Key terms and issues are included, and well as suggestions for improving the overall number of identifications.
The book will go beyond process and also discuss issues such as interoperability, management strategies for large databases, contract development, lights out verification and several other issues which impact automated identifications.

- The first comprehensive title on this subject area
- Outlines in detail the entire process of fingerprint gathering and identity verification
- The future of AFIS will is discussed, including national standards in developing multi-agency cooperation/interoperability (U.S.) in addition to the use of AFIS identification world-wide.

  • Sales Rank: #1565075 in Books
  • Published on: 2004-12-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 7.50" w x .75" l, 1.57 pounds
  • Binding: Hardcover
  • 312 pages

Review
"This book provides a tremendous amount of valuable and practical information and guides for criminal justice practitioners, identification staff, booking officers, the courts, district attorneys, and others who depend on accurate and prompt delivery of identification information." (Criminal Justice Review)

"This easy-to-understand book presents a comprehensive overview of the automated fingerprint identification process, its characteristics, challenges, opportunities, and trade-offs." (Criminal Justice Review)

About the Author
Peter Komarinski is a Criminal Justice Policy Analyst with the New York State Division of Criminal Justice Services. He has a Master’s of Arts (Criminal Justice) and over his 30-year career has worked with a variety of criminal justice agencies including law enforcement, corrections and policy planning.
Mr. Komarinski was part of the team as New York State initiated a five million record AFIS system in 1987. His AFIS responsibilities include testing all new releases of software, latent print training using AFIS, and applying management practices to the identification process. He has published and lectured extensively on Automated Fingerprint Identification Systems to such groups as the New York City Police Department, New York State Police, Investigator Courses. He is a regular presenter at the annual meeting of the International Association for Identification.
He has held positions on the AFIS Committee of the International Association for Identification and has served as Chair of that Committee. His lectures include: Management Challenges to AFIS Interoperability, Improving Identifications through the Unsolved Latent Print File, Statistical Analysis of Identification Rates.
Mr. Komarinski has received numerous awards and certificates including: the New York State DCJS Director’s Certificate (Twice), the New York State Workforce Champion Award, the Sagem General Award, and named a Friend of Law Enforcement by the New York State Sheriff’s Association.

Most helpful customer reviews

0 of 3 people found the following review helpful.
My Side
By Joseph F. Rossi
Good overview of the process and how it works. Easy to follow with good detailed where required

0 of 0 people found the following review helpful.
Bland
By Amazon Customer
It's a textbook and rather dry. Read the first chapter and haven't picked it up since. Will make an effort... maybe later. Arrived quickly and in good condition.

0 of 0 people found the following review helpful.
Learning Session
By Danny D. Bynum
A lot of interesting twists and knowledge of history in the making. The story is that of a tool used by law enforecement
that improves investigations.

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Minggu, 10 Juni 2012

[D637.Ebook] Ebook Free Watching Closely: A Guide to Ethnographic Observation, by Christena Nippert-Eng

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Watching Closely: A Guide to Ethnographic Observation, by Christena Nippert-Eng

Ethnographers rely on three related activities to conduct research in the field: observation, conversation, and participation. Observing others in their environments and using this data to inform and share conclusions is an essential part of any fieldworker's toolkit. However, many ethnographers' observational muscles tend to be their weakest.

Fortunately, Christena Nippert-Eng's Watching Closely: A Guide to Ethnographic Observation provides a practical, interactive guide for improving one's powers of observation. The book includes nine exercises for practicing observational skills, including a preparatory briefing and post-exercise discussion. Nippert-Eng also offers a weblink (global.oup.com/us/watchingclosely) to sample responses from her previous students, providing an additional resource beyond the text itself. Beyond the traditional tenets of field work, Watching Closely encourages readers to pursue more creative ways of collecting and analyzing data, such as sketching, diagramming, and photography, as well as developing more concrete expectations for the potential uses and meanings of ethnographic data.

Engaging and accessible, Watching Closely offers a guide for readers to not only strengthen their core skills and mindset as fieldworkers, but also to produce research that is more scientifically rigorous and persuasive. From social and behavioral scientists to user-centered designers and architects, undergraduate students to experienced fieldworkers, a vast array of readers will reap the benefits of learning more about how we observe.

  • Sales Rank: #947917 in Books
  • Published on: 2015-10-29
  • Released on: 2015-10-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.50" h x 1.00" w x 8.20" l, 1.00 pounds
  • Binding: Paperback
  • 296 pages

Review

"Christena Nippert-Eng usefully reminds us that empirical work of an ethnographic sort begins with, and ultimately rests on, careful, highly disciplined, and reliably documented observation. Watching Closely tells us just how we can accomplish high quality observational work and offers a series of nine clever exercises to help develop and hone our observational skills. Both veteran and wannabe ethnographers will learn from and enjoy Nippert-Eng's often witty treatment of this most fundamental research practice." -John Van Maanen, author of Tales of the Field


About the Author

Christena Nippert-Eng is a sociologist and Professor of Informatics at Indiana University Bloomington, and the author of Home and Work: Negotiating Boundaries through Everyday Life and Islands of Privacy: Selective Concealment and Disclosure in Everyday Life.

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Sabtu, 09 Juni 2012

[P681.Ebook] Ebook Download A guide to drawing / Daniel M. Mendelowitz, by Daniel Marcus Mendelowitz

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Fine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. ; 296 pages; Description: viii, 296 p. : ill. (some col. ) ; 29 cm. First ed. Published in 1967 under title: Drawing. Subjects: Drawing --Study and teaching.

  • Sales Rank: #13373364 in Books
  • Published on: 1979
  • Binding: Hardcover

Most helpful customer reviews

0 of 0 people found the following review helpful.
Really liked this book
By hari deva
Really liked this book. Good information on many subjects on art. It is not really a how to book. Got it for a great price usually it cost a lot.

5 of 5 people found the following review helpful.
Excellent Reference and Guide
By Kindle Customer
Received this book in very good used condition. It is an excellent guide to drawing. Contains alot of history and examples of artwork done by famous and not so famous artists. It is written in very clear and concise language making it easy to read as well as great for reference. Would recommend it to anyone interested in drawing at any skill level. It is one that I will use for years to come.

27 of 30 people found the following review helpful.
Horrible Quality
By KS
I agree with the previous review which explains the horrible quality of this textbook. While I am not evaluating the content, I must say I have used it three times and the binding has completely fallen apart. For such an expensive item, this is absolutely unacceptable. I am in the process of contacting Thomson Wadsworth to complain about the issue. I am also asking my instructor to adopt another textbook and to file a complaint with the publisher. I tried to find a hardback copy of this item but could not. If you need to have a sturdy, solid textbook this is NOT for you. I am completely disgusted.

**UPDATE**
After using the textbook for a week, I must say that overall the content of the text is outstanding. As a beginning art student, the text is very accessible and logically arranged. The illustrations are helpful, although almost all are just black and white, and the important terms and concepts are easily noted. However, the binding has COMPLETELY fallen apart; several of my classmates have complained of this as well. Shame on the publishers for such low quality standards...

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Jumat, 08 Juni 2012

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CHILTON'S CORVAIR REPAIR AND TUNE UP GUIDE 1960-1969, by Chilton

  • Sales Rank: #15484795 in Books
  • Published on: 1975
  • Binding: Hardcover

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Rabu, 06 Juni 2012

[M785.Ebook] PDF Download Physical Chemistry with Biological Applications (World Student), by Keith J. Laidler

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  • Published on: 1978-12
  • Format: Import
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 587 pages

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Selasa, 05 Juni 2012

[O283.Ebook] Free PDF Aging, the Individual, and Society, by Susan M. Hillier, Georgia M. Barrow

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Aging, the Individual, and Society, by Susan M. Hillier, Georgia M. Barrow

Aging, the Individual, and Society, by Susan M. Hillier, Georgia M. Barrow



Aging, the Individual, and Society, by Susan M. Hillier, Georgia M. Barrow

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Aging, the Individual, and Society, by Susan M. Hillier, Georgia M. Barrow

In the coming years, understanding senior citizens will be more important than it's ever been. Are you ready? AGING, THE INDIVIDUAL, AND SOCIETY introduces you to gerontology in a compassionate way that helps you understand them and know how to work with them. It's balanced between academic and practical discussions, and packed with study tools. That way, you'll ace the class and be ready for the future!

  • Sales Rank: #968713 in Books
  • Brand: Brand: Wadsworth Publishing
  • Published on: 2006-09-28
  • Original language: English
  • Number of items: 1
  • Dimensions: .71" h x 7.40" w x 9.30" l, 1.56 pounds
  • Binding: Paperback
  • 465 pages
Features
  • Used Book in Good Condition

About the Author
Susan Hillier is a former Coordinator of the Gerontology program at Sonoma State University. She holds a Ph.D in human development from the University of California, Davis.

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I ordered my Aging, the Individual and Society book and received it in just days. It was exactly the book I needed for my Intro to Social Gerontology class. THank you!

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GREAT

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Great condition for the price!
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The book arrived promptly in mint condition. The same book was selling for $150 brand new at my university bookstore...this was amazing..only $10

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Jumat, 01 Juni 2012

[M923.Ebook] PDF Download Oranges Are Not the Only Fruit, by Jeanette Winterson

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Oranges Are Not the Only Fruit, by Jeanette Winterson



Oranges Are Not the Only Fruit, by Jeanette Winterson

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Oranges Are Not the Only Fruit, by Jeanette Winterson

Winner of the Whitbread Prize for best first fiction, Oranges Are Not the Only Fruit is a coming-out novel from Winterson, the acclaimed author of The Passion and Sexing the Cherry. The narrator, Jeanette, cuts her teeth on the knowledge that she is one of God’s elect, but as this budding evangelical comes of age, and comes to terms with her preference for her own sex, the peculiar balance of her God-fearing household crumbles.

  • Sales Rank: #25098 in Books
  • Brand: Brand: Grove Press
  • Published on: 1997-08-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 6.00" w x .50" l, .51 pounds
  • Binding: Paperback
  • 176 pages
Features
  • Used Book in Good Condition

Review


"A striking, quirky, delicate, and intricate work . . . Winterson has mastered both comedy and tragedy in this rich little novel. . . . Winterson's great gift is evident." —The Washington Post Book World

"A daring, unconventional comic novel . . . by employing quirky anecdotes, which are told with romping humor, and by splicing various parables into the narrative, Winterson allows herself the dangerous luxury of writing a novel that refuses to rely on rousing plot devices. . . . A fascinating debut . . . A penetrating novel." —Chicago Tribune

"If Flannery O'Connor and Rita Mae Brown had collaborated on the coming-out story of a young British girl in the 1960s, maybe they would have approached the quirky and subtle hilarity of Jeanette Winterson's autobiographical first novel. . . . Winterson's voice, with its idiosyncratic wit and sensitivity, is one you've never heard before." —Ms.

"The overwhelming impression of her work is one of remarkable self-confidence, and she evidently thrives on risk…. As good as Poe: it dares you to laugh and stares you down." —The New York Review of Books

"An explosively imaginative writer." —The London Free Press

"She is a master of her material, a writer [of] great talent." —Muriel Spark

"Many consider her to be the best living writer in this language." —Evening Standard

"The most interesting writer I have read in twenty years." —Gore Vidal

About the Author
JEANETTE WINTERSON OBE was born in Manchester. Adopted by Pentecostal parents she was raised to be a missionary. This did and didn't work out. Discovering early the power of books she left home at 16 to live in a Mini and get on with her education. After graduating from Oxford University she worked for a while in the theatre and published her first novel at 25. Oranges Are Not The Only Fruit is based on her own upbringing but using herself as a fictional character. She scripted the novel into a BAFTA-winning BBC drama. 27 years later she re-visited that material in the bestselling memoir Why Be Happy When You Could Be Normal? She has written 10 novels for adults, as well as children's books, non-fiction and screenplays. She writes regularly for the Guardian. She lives in the Cotswolds in a wood and in Spitalfields, London. She believes that art is for everyone and it is her mission to prove it.

Excerpt. � Reprinted by permission. All rights reserved.
Like most people I lived for a long time with my mother and father. My father liked to watch the wrestling, my mother liked to wrestle; it didn't mater what. She was in the white corner and that was that.

She hung out the largest sheets on the windiest days. She wanted the Mormons to knock on the door. At election time in a Labour mill town she put a picture of the Conservative candidate in the window.

She had never heard of mixed feelings. There were friends and there were enemies.

Enemies were:
The Devil (in his many forms)
Next Door
Sex (in its many forms)
Slugs

Friends were:
God
Our dog
Auntie Madge
The Novels of Charlotte Bront�
Slug pellets

and me, at first, I had been brought in to join her in a tag match against the Rest of the World. She had a mysterious attitude towards the begetting of children; it wasn't that she couldn't do it, more that she didn't want to do it. She was very bitter about the Virgin Mary getting there first. So she did the next best thing and arranged for a foundling. That was me.

I cannot recall a time when I did not know that I was special. We had no Wise Men because she didn't believe there were any wise men, but we had sheep. One of my earliest memories is me sitting on a sheep at Easter while she told me the story of the Sacrificial Lamb. We had it on Sundays with potato.

Sunday was the Lord's day, the most vigorous days of the whole week; we had a radiogram at home with an imposing mahogany front and a fat Bakelite knob to twiddle for the stations. Usually we listened to the Light Programme, but on Sundays always the World Service, so that my mother could record the progress of our missionaries. Our Missionary map was very fine. On the front were all the countries and on the back a number chart that told you about Tribes and their Peculiarities. My favourite was Number 16, The Buzule of Carpathian. They believed that if a mouse found your hair clippings and built a nest with them you got a headache. If the nest was big enough, you might go mad. As far as I knew no missionary had yet visited them.

My mother got up early on Sundays and allowed no one into the parlour until ten o'clock. It was her place of prayer and meditation. She always prayed standing up, because of her knees, just as Bonaparte always gave orders from his horse, because of his size. I do think that the relationship my mother enjoyed with God had a lot to do with positioning. She was Old Testament through and through. Not for her the meek and paschal Lamb, she was out there, up front with the prophets, and much given to sulking under trees when the appropriate destruction didn't materialise. Quite often it did, her will of the Lord's I can't say.

She always prayed in exactly the same way. First of all she thanked God that she had lived to see another day, and then she thanked God for sparing the world another day. Then she spoke of her enemies, which was the nearest thing she had to a catechism.

As soon as 'Vengeance is mine saith the Lord' boomed through the wall into the kitchen, I put the kettle on. The time it took to boil the water and brew the tea was just about the length of her final item, the sick list. She was very regular. I put the milk in, in she came, and taking a great gulp of tea said one of three things.

'The Lord is good' (steely-eyed into the back yard).

'What sort of tea is this?' (steely-eyed at me).

'Who was the oldest man in the Bible?'

No. 3 of course, had a number of variations, but it was always a Bible quiz question. We had a lot of Bible quizzes at church and my mother liked me to win. If I knew the answer she asked me another, if I didn't she got cross, but luckily not for long, because we had to listen to the World Service. It was always the same; we sat down on either side of the radiogram, she with her tea, me with a pad and pencil; in front of us, the Missionary Map. The faraway voice in the middle of the set gave news of activities, converts and problems. At the end there was an appeal for YOUR PRAYERS. I had to write it all down so that my mother could deliver her church report that night. She was the Missionary Secretary. The Missionary Report was a great trial to me because our mid-day meal depended upon it. If it went well, no deaths and lots of converts, my mother cooked a joint. If the Godless had proved not only stubborn, but murderous, my mother spent the rest of the morning listening to the Jim Reeves Devotional Selection, and we had to have boiled eggs and toast soldiers. Her husband was an easy-going man, but I knew it depressed him. He would have cooked it himself but for my mother's complete conviction that she was the only person in our house who would tell a saucepan from a piano. She was wrong, as far as we were concerned, but right as far as she was concerned, and really, that's what mattered.

Somehow we got through those mornings, and in the afternoon she and I took the dog for a walk, while my father cleaned all the shoes. 'You can tell someone by their shoes.' My mother said. 'Look at Next Door.'

'Drink,' said my mother grimly as we stepped out past the house. 'That's why they buy everything from Maxi Ball's Catalogue Seconds. The Devil himself is a drunk' (sometimes my mother invented theology).

Maxi Ball owned a warehouse, his clothes were cheap but they didn't last, and they smelt of industrial glue. The desperate, the careless, the poorest, vied with one another on a Saturday morning to pick up what they could, and haggle over the price. My mother would rather not eat than be seen at Maxi Ball's. She had filled me with a horror of the place. Since so many people we knew went there, it was hardly fair of her but she never was particularly fair; she loved and she hated, and she hated Maxi Ball. Once, in winter, she had been forced to go there to buy a corset and in the middle of communion, that very Sunday, a piece of whalebone slipped out and stabbed her right in the stomach. There was nothing she could do for an hour. When we got home she tore up the corset and used the whalebone as supports for our geraniums, except for one piece that she gave to me. I still have it, and whenever I'm tempted to cut corners I think about that whalebone and I know better.

My mother and I walked on towards the hill that stood at the top of our street. We lived in a town stolen from the valleys, a huddled place full of chimneys and little shops and back-to-back houses with no gardens, The hills surrounded us, and out own swept out into the Pennines, broken now and again with a farm or a relic from the war. There used to be a lot of old tanks but the council took them away. The town was a fat blot and the streets spread back from it into the green, steadily upwards. Our house was almost at the top of a long, stretchy street. A flagged street with a cobbly road. When you climb to the top of the hill and look down you can see everything, just like Jesus on the pinnacle except it's not very tempting. Over to the right was the viaduct and behind the viaduct Ellison's tenement, where we had the fair once a year. I was allowed to go there on condition I brought back a tub of black peas for my mother. Black peas look like rabbit droppings and they come in a thin gravy made of stock and gypsy mush. They taste wonderful. The gypsies made a mess and stayed up all night and my mother called them fornicators but on the whole we got on very well. They turned a blind eye to toffee apples going missing, and sometimes, if it was quiet and you didn't have enough money, they still let you have a ride on the dodgems. We used to have fights round the caravans, the ones like me, from the street, against the posh ones from the Avenue. The posh ones went to Brownies and didn't stay for school dinners.

Once, when I was collecting the black peas, about to go home, the old woman got hold of my hand. I thought she was going to bite me. She looked at my palm and laughed a bit. 'You'll never marry,' she said, 'not you, and you'll never be still.' She didn't take any money for the peas, and she told me to run home fast. I ran and ran, trying to understand what she meant. I hadn't thought about getting married anyway. There were two women I knew who didn't have any husbands at all; they were old though, as old as my mother. They ran the paper shop and sometimes, on a Wednesday, they gave me a banana bar with my comic. I liked them a lot, and talked about them a lot to my mother. One day they asked me if I'd like to go to the seaside with them. I ran home, gabbled it out, and was busy emptying my money box to buy a new spade, when my mother said firmly and forever, no. I couldn't understand why not, and she wouldn't explain. She didn't even let me go back to say I couldn't. Then she cancelled my comic and told me to collect it from another shop, further away. I was sorry about that. I never got a banana bar form Grimsby's. A couple of weeks later I heard her telling Mrs White about it. She said they dealt in unnatural passions. I thought she meant they put chemicals in their sweets.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Salvation call of the Youthful
By Amazon Customer
This is my new favorite book! Winterson has a way of deflecting the reader from certain aspects of her inner most transitional experiences into young adulthood, while completely revealing an artful autobiographical piece. This book is about the memorable private journey of a young woman from youth into early adulthood; she is seeking love against the odds, while grasping eagerly to an outlet for salvation. This book embodies the reason why the study of literature is a treasured discipline.

0 of 0 people found the following review helpful.
Funny, clever
By catherine
I initially heard the author on a podcast and thought that this book would be a quick, comical read. While very funny and clever, I found this story a wonderful and troubling study in the complexity of people. The honesty is beautiful and sad and the characters flawed and fascinating. This book would be excellent for a really brave book club! Call me!

0 of 0 people found the following review helpful.
Not very interesting
By iaktug
Written in a striking way so I did finish the book. But I dont think it added to me all that much.

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